![]() ![]() It’s certainly still manageable, and having the addition of the full color spectrum is certainly more important in most scenarios, so there’s a fair trade off here. This is a great solution in theory, but if you are the type to play frequently in bright or daytime conditions, you might find this to be quite a hassle. Now, a pad will pulse on and off when it is active, instead of simply lighting up green. The side effect, however, is that the way to tell if a pad is currently engaged has changed, as well. The new pads are much larger, and the additional color options means that telling buttons apart just got a lot easier to do. The buttons now come fully color-customizable, instead of the the tricolor setup the old model employed. In a time when controllers seem to be taking the “swiss army knife” approach to making products for electronic music producers, we find this to be a refreshing change of pace.īy far the biggest change that users will experience is the completely redesigned, 8 x 5 button matrix. There’s no step sequencer, no way to input notes, and Akai has been very clear about that with their marketing. The controller is still unquestioningly designed for live performance, and there’s still very little to entice those looking for a controller that doubles as a production assistant. There’s been a complete redesign, so there’s plenty to learn, even with the new form factor alone, but all of the core functionality that made up the original persists here.Ĭonsidering the original’s reputation as one of the most functional and easy-to-use controllers around for Ableton Live, we’d say that’s a good thing. While there are certainly a number of new features included with the MKII, users of the original APC40 will feel right at home playing with the various functionalities included. From there, we’ll get into build quality and functionality. To better help you break down the pros and cons of the Akai APC40, we’ve created a guide below where you can directly compare this MIDI controller to other popular ones currently on the market:Īnd now, let’s break down what’s new with the APC40 MKII. The original product has seen widespread adaptation in studios all over the globe, and seeing the controller pop up on various stages and YouTube channels is not an uncommon sight. The MKII builds on its predecessor in different ways, many of which serve to make the controller even more useful to those who run it through Live. ![]() And the APC40 MKII represents the second iteration of the brands Ableton Live-focused controller that first released to massive fanfare in 2009. Akai has had an especially positive relationship with the Ableton Live MIDI controller community as of late, with their MPK line being some of the most popular MIDI controllers currently on the market.
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